November: Sleeping with Sirens Hey guys! I'm working on a tab for this but for now here's chords. [Verse] Am C F Every day is all the same Am C F Like no matter what the reason is the seasons never change Am C F I think of all the time I spend Am G F Drifting far away ...
Third trackTroubledis subdued and mellow, with weighty piano chords, a sustained tension, and distant female vocals that verge on being unsettling. Somewhere between relaxing and overbearing, it’s another mini-trip of light and shade hanging in the balance. Within just the first three songsHelios...
‘In Der Mine’ crashes in with a series of chords SO heavy, one would think that they had been hewn from a collossal granite mine themselves, alternating with a heavily delayed ascending guitar line that twinkles and hangs in space gracefully before crashing back down under the weight of T...
REGARDING PLAYING WITH JOHN JORGENSON, YOU SAID, “I DON’T KNOW HIS ADULT CHORDS, BUT I KNOW HOW TO REACT TO THEM” I really don’t know the names of those chords. Part of my musical strategy is that I study enough to be astute in all styles, putting aside flamenco guitar. I have...
backwards guitar. This was, in fact, two parts, conceived and performed byGeorge Harrisonduring a five hour late-night session on5 May 1966. Harrison first wrote down the notation for the solos he wanted, reversed them, and recorded them twice – one with fuzz effects, and the other ...
After that introduction,Woeseems to move at a much swifter pace. At least by comparison. The guitar chords almost take on something that sounds like keys. The lyrics paint a scene with the singer comparing herself to nature, the vocals are delivered less desperate than before, they sound exha...
Mezzanineera Massive Attack sounds remerge onParabiosisand the lyrics return to the contemplative, resurrecting themes from previous dalliances, the band draw comparisons to Tool on the changing patterns, chords and vocal techniques as the momentum rises and falls with long ringing moments of lush to...
Spencer, I have to ask about some of the guitar stuff on the record. Your playing takes in a lot of higher range and discordant stuff rather than just relying on power chords all the time, you’re very subtle with how you do it but you utilise effects/pedals in a very unique way I...
28th June 2012 Mark Hunt-Bryden 2012, B.SON, Black Shape Of Nexus, CD, Doom, Drone, Exile On Mainstream Records, Mark Hunt-Bryden, Negative Black, Review, Sludge Sometimes you can just feel an album from the very first chords. Described as incorporating aspects of drone and crust Read Mo...
impassioned agony without becoming overbearing. Fading Suntakes a step backwards to draw more on the ambience at first, impressively harmonising subtle tortured screams with the clean vocals in the process. But words are switched for a staggeringly heavy distortion wall from a second guitar halfway...