Collection Georg Polke Galerie Max Hetzler presents the solo exhibition “ZEITREISE” – Photographs 1966 – 1986. Collection Georg Polke with photographs by Sigmar Polke from the Collection Georg Polke. In his early photographs, Sigmar Polke proves to be an experimental quick-change artist and ...
History in the Making examines the photo-based work of Sigmar Polke (b. 1941), a key figure among the postwar generation of German artists who investigate and confront the suppressed history of Germany's recent past, particularly World War II. In the critical literature, Polke's multifaceted ...
German artist Sigmar Polke (1941-2010) is widely considered to be one of the most influential painters of the postwar era. Learn more about Sigmar Polke's art here.
Today, Polke’s works are included in the collections of the Art Institute of Chicago, The Museum of Modern Art in New York, the Tate Gallery in London, the Kunstmuseum Bonn, and the J. Paul Getty Museum in Los Angeles, among others....
内容简介· ··· An illustrated exploration of Girlfriends (1965/66), one of Sigmar Polke's important early paintings. The artist Sigmar Polke (1941-2010) worked across a broad range of media-including photography, painting, printmaking, sculpture, and film-and in styles that varied from abst...
are properly absorbed. I fancy that young artists will feel put to a test. Even longtime Polke fans may be amazed by the cumulative power of the two hundred and sixty-five works on view, in painting, sculpture, graphic art, photography, and film. The modes range from the cartoonishly fig...
“Who has made a painting on Bubble Wrap?” asked Kathy Halbreich, associate director of the Museum of Modern Art and curator of the new exhibition “Alibis: Sigmar Polke 1963-2010.”“And who has made a painting on Bubble Wrap that deals with the iconography of hunting, the line between...
Art history History in the making| Sigmar Polke and photography NEW YORK UNIVERSITY Robert S. Lubar PolednikMarcellepaintings. Rather than positing photography as a medium, these works suggest Polke's understanding of photography as a series of technologies defined by a shared visual and temporal ...