, 1964 Schleswig-Holstein Museums, Germany2 works online Serralves Foundation Museum of Contemporary Art, Porto, PortugalClick on "P" and page forward for "Polke" Von der Heydt-Museum, Wuppertal, Germany (in German) Walker Art Center, Minnesota...
This essay sheds light on a little-studied strand of Sigmar Polke's art: his landscape paintings of the 1980s and early 1990s. He had hitherto displayed little interest in the genre, but after visiting Australia in 1980 and encountering extensive pollution this situation changed. During the ...
Paintings illustrate with surprising economy and elegance the key concerns of Polke’s aesthetic explorations. Sigmar Polke was recently the subject of a retrospective at Palazzo Grassi, Venice, as well as a major travelling retrospective exhibition, “Alibis: Sigmar Polke 1963-2010”, organised by T...
Through the processing, the motifs become ambiguous and ambivalent, at the same time they are alienated by a surreal picture language and undergo a superelevation, whereby Polke’s photography significantly gains characteristics of his paintings. “Polke uses deliberately produced ‘mistakes’ and random...
Sigmar Polke Artworks Artworks for Sale & Auction Results Availability For Sale (76) artnet Auctions (0) Galleries (75) × Auction Houses (1) Auction Results (4,068) Object Type Prints and multiples (2,212) Works on paper (907) Paintings (635) Photographs (352) ...
ISBN:9781846381829 豆瓣评分 目前无人评价 评价: 写笔记 写书评 加入购书单 分享到 推荐 内容简介· ··· An illustrated exploration of Girlfriends (1965/66), one of Sigmar Polke's important early paintings. The artist Sigmar Polke (1941-2010) worked across a broad range of media-including...
Polke’s work was also featured in solo exhibitions at the Astrup Fearnley Museum of Modern Art, Oslo, and the Louisiana Museum, Humlebæk, Denmark (Sigmar Polke: Alchimist, 2001); the Dallas Museum of Art (Sigmar Polke: History of Everything. Recent Paintings and Drawings, 2002–2003; ...
his roadtrip to Pakistan and Afghanistan with shocking neutrality; and conceptual art is mocked inPotato House(1967) and paintings of absurd mathematical equations, while the series of self-portraits – Polke as astronaut, Polke as drug – confront the contemporary individual in the mire of history...
“Why aren’t his paintings as expensive as Gerhard Richter ?” asked Gordon VeneKlasen, managing partner at Michael Werner Gallery, home on the Upper East Side to a concurrent show of early Polke drawings. “If you ask anyone across the museum or artistic or collecting community, he’s equ...