The soundtrack (footsteps, dripping taps, creaking doors, banging shutters) is ominously exaggerated. The close-ups are extreme. Colours change melodramatically to fit the shifting moods. The music is borrowed from old horror films. The dialogue is at first sparse, then non-existent. Luis ...
(Besides, how many surviving characters are likely to make it through the next movie?) But with an overstuffed frame and a relentless soundtrack featuring The Fat Boys, Billy Idol, and — you guessed it — Tuesday Knight herself, does the film really need to add genuine fear to the ...
is a classic for a reason: it’s gorgeously atmospheric in both the visuals and the soundtrack, and it’s a marathon of high-impact Grand Dame acting. The film came out in the moment when “film history” was really beginning to find its footing as a discipline, and in some ways, ...
Meanwhile, the film’s soundtrack is a wonder in itself. The score served up by Brian May (no, not that one) is brilliantly ludicrous, with synths and various bizarre sounds adding an extra layer of weird to the already mental goings-on. Turkey Shootis schlock but it’s fun schlock. W...
Initially, I didn’t really get the DJ1Pro’s sound. While it has a good amount of bass, its punch didn’t has the focus that all the other headphones had. And I’m not talking about tight either, because the bass is definitely tight and has a good definitio...
Legend has it Bridges asked for some odd sound effects: listen hard to those car doors closing and you'll hear gunshots. Still, there's a clever cameo from Paul Winfield as a blasé record producer, while Joe Jackson provides sterling support on the soundtrack." - Tony Sloman (Radio ...