It was this intricate picking thing, and he was doing all these kind of weird chords and stuff. We then took his guitar parts, and got together and made it into the song. I very clearly remember we were in our basement rehearsal space, which was at Mark's family's house. When we ...
The Rolling Stones had "(I Can't Get No) Satisfaction." The Kinks had "You Really Got Me." The Who had "My Generation." Roy Orbison had "Oh, Pretty Woman." The Temptations had "My Girl." Billy Joel had "Piano Man." Whitney Houston had "I Will Always Love You." All of the ...
It's the perfect example of, oftentimes, the chord I've tried to strike with this band with some of our bigger records, [which] is happy sad. Where you feel nostalgic and kind of melancholic, but at the same time, euphoric. That's what those chords and that melody did for me. ...
But I didn’t come up with any melody or chords to go with it. I wanted to get on the microphone and just do it. A lot of it sounds like I’m speak-singing. That’s just how it came out. It felt right. It was like I had found me. Actually, there are some chords I put ...
the of and to a in that is was he for it with as his on be at by i this had not are but from or have an they which one you were all her she there would their we him been has when who will no more if out so up said what its about than into them can only other time new...