This garage-rock single couldn’t have come from purer beginnings. Bea Kristi (aka beabadoobee) and her best friend were jamming together when the track was born. “I came up with chords and Eliana played a sick bass part,” she tells Apple Music. "I was like, ‘Holy crap, I’ve ...
Chords for Isn't She Lovely - Bass & Saxophone cover by Anna Sentina & BriansThing Tempo: 116.6bpm Chords used: F# E C#m B F#m Tuning:Standard Tuning (EADGBE)Capo:+0fret ShowTuner Start Jamming... DownloadPDF DownloadMidi EditThis Version ...
The structure of the song is fairly simple, with the melody carried mostly by McCartney’s voice. His bass and a backing piano produce a countermelody, with Lennon’s guitar playing chords on the backbeat. After the first verse, the piano also plays chords on the upbeats. George Harrison ...
The stripped-down "Let Me In" features standup bass, muted drums, spooky, sparse guitar chords, and Rodriguez singing sultry lines such as "Tell me what gets you off/I don't mind if it's hard or soft." Touring companion Lucinda Williams adds vocals to "Mask of Moses," bringing her ...
One thing not to miss—indelible upright bass performances by Rashaan Carter, but especially on “The Eternal Stillness” and “The Hard Balance”. Overall, I will go as far as to say that SAAM has easily become undoubtedly my favorite jazz record over the past half of a decade. ...
John and Paul switch back and forth between singing in unison and harmony throughout the verse, while the chords change every measure for the first half of the verse and every two measures for the second half. The full octave range of the melody line is displayed in the verses, the high...
root notes except for the 'when I was a boy' bit, where the bass plays on the 1st 3rd and 5th of the chords. Add drums, and harmony vocals (nearly all singing in 3rds) and you've got it. I just recorded a cover of this on 8-track, and stuck pretty much to the ...
strumming the bass notes of the chords. This is easier to play than the lighter riff that is more notable on the record. In live versions I've noticed that Tony Dekker plays it this way, and that Erik Arnesen typically plays the riff. ...
On "Angel" and "The Story of Mary", Gamble plays a progressive chord structure that sounds as if there is percussion behind him. The sound is so deep, that one wonders if a bass player is lurking around somewhere. Gamble's songs take on a new life in this acoustic guise. Stripped of...
chords chipping chili chestnut chauffeur chattering charted characterize chapman chanted ch centum centrally centennial caves cautioned causal casts cartridge cartoons carriages carbine caps caper canons canned candidacy canceled calves calmed calibration calderone caesar buzzing buyers buses bury burnsides ...