Sonnet 20, for example, addresses the 6 Bruce R. Smith speaker's beloved as "the master mistress of my passion" (20.2). The word "passion" in this context carries a quite specific physiological meaning. According to the ancient Greek physician Galen and his early modern disciples, light ...
In one other variation on the standard structure, found for example in sonnet 29, the rhyme scheme is changed by repeating the second (B) rhyme of quatrain one as the second (F) rhyme of quatrain three. Apart from rhyme, and considering only the arrangement of ideas, and the placement ...
Luís Vaz de Camões’s sonnets are thematically far more diverse than those ofPetrarchorWilliam Shakespeare. Some are retellings of Biblical tales (Jacob) or Greek myths, often with a new twist; or they present historical or mythological figures in new scenarios, as in the sonnet which has ...
See William Shakespeare's contact, representation, publicist, and legal information. Explore William Shakespeare's credits, follow attached in-development titles, and track popularity with STARmeter. IMDbPro — The essential resource for entertainment pr
Shakespeare expresses much the same thought in Sonnet lxviii. The fashion among women of wearing wigs had become very common toward the end of Elizabeth's reign. 94. Upon supposed fairness, "on the strength of their fictitious beauty." Compare 3 Henry VI, iii. 3. 223: "And tell false ...
“There are bits of ‘Romeo and Juliet,’‘A Midsummer Night’s Dream,’‘Taming of the Shrew,’” explained Atkins. “People will be able to identify some of the quotes; there’s even a sonnet in it. “The play is very romantic, very robust, very gritty . . . in the sense that...
From Quiz Legend of Shakespeare - Sonnet I Answer: Agriculture When Shakespeare wrote "fairest creatures", he meant anything that is living and is "most beautiful". When he said "increase", he was referring to procreation. The entire line is actually about wanting to increase the harvest. The...
Sonnet 1: FRONT—increase, decease, spring, niggarding, be, thee; BACK—fuel, cruel; LOW—die, memory, eyes, lies; MIDDLE—ornament, content; Sonnet 2: BACK—use, excuse, old, cold; MIDDLE—field, held, days, praise; LOW—lies,eyes, mine, thine, brow, now; Sonnet 3: HIGH—thee...