It is that higher octave, that actual higher frequency of God’s Truth in its purity and absoluteness, that assists the listener to begin to absorb those same frequencies into their own life energy field.The community of Ascended Masters desire to impart their Wisdom of God’s Light and ...
High-brightness sources of coherent and few-cycle-duration light waveforms with spectral coverage from the ultraviolet to the terahertz would offer unprecedented versatility and opportunities for a wide range of applications from bio-chemical sensing to time-resolved and nonlinear spectroscopy, and to att...
right through to our boobook owls well into the night – although I was a little less enamoured of a male common koel that spent last spring singing most of his way through a full octave then stopping, leaving me waiting for the last note, before repeating his call incessantly – all ...
12dB per octave. A fourth-order crossover is even steeper, with a roll-off of 24dB per octave. With steeper slopes, it’s easier to prevent the drivers from receiving energy that could drive them into breakup
In their conventional role, the bass drivers work with closed‑box loading up to a fourth‑order (24dB/octave) low‑pass roll‑off at 125Hz. In contrast to the Kii Three, where cardioid radiation extends all the way down to 50Hz thanks to the combination of both rear‑ and side...
Beethoven immediately repeats the octave skip, but a half-step higher, as he moves to D Major for the 2. Allegro molto vivace -- attacca: (3:05) second movement -- a delightful romp in 6/8. Beethoven at first holds back a bit with ...
Fig. 1: Sonar X3's Quad Curve EQ has a dedicated lowpass band whose slope can go up to 48dB/octave. The controls and resulting response are outlined in red for clarity. Furthermore, a steep low cut filter can reduce low frequency rumble. The filter in your mic or channel strip might...
Going one step further, The vocal solfeggio system was devised as a way to attach a given musical pitch to a given note (rather than just talk about note names and locations. In solfeggio, 1=A=La begins the low-octave note, 3=B=Ti, 4=C=Do, 6=D=Re, 8=E=Fa, 11=G=So, and ...
(i.e. to the first octave you come to. This makes it easier to see the concept. Modes are not scales, they are voicings of the scale. Some modes sound major, while others sound minor. Simple. Modes merely refer to where you begin/end on the particular scale (root note). The scale...
Each octave which can be played in a scraping mode in five tones and in seven tones and can be played in five tones sound complementary with seven tones or coherent with seven tones comprises all semitones of twelve rhythms. Both sides of a high-grade musical instrument can change twelve ...