It’s perfectly possible to mix Atmos with just a DAW, its native bundled plug‑ins and the Atmos Renderer. Just as in stereo, though, adding third‑party plug‑ins can help you work faster and more efficiently, as well as opening up new sonic possibilities. All of your existing thi...
A tempo setting apparatus for an electronic musical instrument according to a first embodiment of the present invention will be described in detail below with reference to the accompanying drawings. Since the first embodiment is assumed to be a tempo setting apparatus adapted for a guitar type elect...
including Will, he was enjoying the evening fun by dropping some reliable acid and showing up as a Priest. While maybe not an original choice, the last ten months of the aftershock of the “scariest movie of all time”, “The Exorcist”, was still fresh in everyone’s mind; Will ...
If you’rerecording soundscoming out of mounted guitar amps or other speakers, the sound is going to consistently hit particular points on a wall. Finding those points might seem hard, but veteran audio producers find those points of reflection with what’s known as the “mirror trick.” “I...
“There’s a lot to be learned by listening,” says Jeffers. “It’s helpful to have somebody who isn’t an audiophile do a final pass on what you’re recording. You can end up down this rabbit hole where it’s just never perfect — perfect becomes the enemy of good.” ...
The case is adapted to transmit sounds at an output by a telephonic or wireless connection to an audio mixer or a preamplifier. Independent claims are also included for the following: (1) a plucked stringed instrument e.g. acoustic guitar, comprising a rosette (2) a method for recording ...
If levels are balanced at a given input, they won't be at a completely different input level. An easy example for some guitar players I've seen: If they balance patches with guitar volume at 1/10 (in an attempt to have margin to boost in a gig), when they go to full volume the...
There’s a 12-string acoustic guitar there too and a six-string acoustic, so I wanted to double it up more just to make it sound bigger. It didn’t take too much time, because I had already kind of written the solos already – most of them I had written in advance. ...
From the opening of Singing Winds, Crying Beasts, Santana had tapped into a higher realm, and proved it by conjuring up an iconic version of Peter Green’s Black Magic Woman and Gabor Szabo’s Gypsy Queen with possibly the #1 guitar build and break in all of Rock History. This break is...