enough-featuredonsomeremixes).Ifthetimecodetrackisbeingfedtoanexternal pieceofequipmentlikeadrummachine,oranothermutlitrackmachine,makesurethat youhavemuteditinsuchawayastonotinterferewiththis. Now,whilethetrackisying,pushupthefadersofthingsyoucanthear,andpull downanythingthatswaytooloud.Usepanpotsfairlyrando...
Dub versions, remixes, studio-as-instrument, producer-as-magician. These are just some of the ways in which the small Caribbean nation has changed the course of popular music worldwide. Nobody understood better than Lee “Scratch” Perry how Jamaican sonic genius exists as a living, breathing...
Craft custom edits and remixes that infuse your personal style into the tracks. Explore genre-blending by integrating elements from other musical styles into your Dancehall mixes. Utilize acapellas and instrumentals to create dynamic and original versions of popular tracks. Using effects in Dancehall mi...
which took aim at another producer he worked with, Joe Gibbs. “People Funny Boy” is one of the first songs to utilize a reggae tempo, as Jamaican music transitioned out of its brief rocksteady period, and is also noteworthy for Scratch’s prescient use of a sample of a crying baby. ...
“We brought together the three versions on the new ‘Chase The Devil’ to show Scratch’s innovative work from that time; he’s an amazing producer and songwriter who wrote for Bob Marley and Max Romeo (among others), he did great dub remixes and ran a successful studio; it’s ...