Em G C G If you come to San Francisco, G Bm Em G Em summer time will be a love-in there. F#m A D A If you come to San Francisco C#m F#m A F#m Summertime will be a love-in there A F#m 3x Set8 http://sites.google.com/site/guitarmusicchordsandlyrics/...
CBS SF recently spoke to Talking Heads member Jerry Harrison about two upcoming Bay Area shows with his Remain in Light ensemble featuring guitar great Adrian Belew (Frank Zappa, David Bowie, King Crimson) in Santa Cruz and San Francisco.
The tune is called, "Where Has Love Been", and is the first song we wrote upon solidifying the "core" members of the band. Keyboardist,Imanuel, remembers sitting in a gas station bathroom and dreaming up the magical chords that would later be used as the staple for the song...Okay,...
“Lofty, sweeping chords and the deliberate, steadfast pace of the Union Trade tell the tale of a band that eschews flair and fireworks for an intricate, drawn-out listening experience in the vein of Explosions in the Sky. Critics like to lash out against post-rock wanderers for their “lon...
The Streets of San Francisco 来自:Swingin' Utters by Jo-Ann GreeneOld school slams straight into the new school on Swingin' Utters' debut album, reissued by Fat Wreck Chords. The quintet hails from Santa Cruz, but they relocated north, thus the title, The Streets of San Francisco. Combini...
“I remember thinking that I wanted to make jazzy music like her when I was younger, so I would play these jazz chords, and be like, ‘Nobody can do it like her. I'm not going to be able to do anything even half as good as [1996’s]Tidalwas.’ But yeah, she's so ...
“I remember thinking that I wanted to make jazzy music like her when I was younger, so I would play these jazz chords, and be like, ‘Nobody can do it like her. I'm not going to be able to do anything even half as good as [1996’s]Tidalwas.’ But yeah, she's so ...
“I remember thinking that I wanted to make jazzy music like her when I was younger, so I would play these jazz chords, and be like, ‘Nobody can do it like her. I'm not going to be able to do anything even half as good as [1996’s]Tidalwas.’ But yeah, she's so ...
In the song, Cohen laments the loneliness of the open road over a few chugging power chords. "It may be right, it may be wrong, be my hooker," he sings. "It's referencing that sort of romanticism that you get out of garage music," says Sartin, decoding the lyric. "Something ...
have a lighter crunch tone. The bridge cleans up with strummed chords that have a touch of tremolo and slap delay. These tones are sort of a call back to a more retro ’60s feel. The lead “solo” guitar comes in with a lot of delay and reverb to give it a big ‘80s rock feel...