Follows' Juliet seems to be terrified by the approach of Romeo, and her banter at the Capulets' party feels like an excuse to get away rather than flirtation. She plays her way to her doom with an air of resigned dread which is frequently effective (her scene as she debates whether to ...
Follows' Juliet seems to be terrified by the approach of Romeo, and her banter at the Capulets' party feels like an excuse to get away rather than flirtation. She plays her way to her doom with an air of resigned dread which is frequently effective (her scene as she debates whether to ...
Romeo and Juliet Presented by The Globe Theatre, London. May 7-September 26, 2004. Directed by Tim Carroll. Designed by Jenny Tiramani. Music by Claire van Kampen. With Joel Trill (Escalus), Callum Coates (Paris, Gregory), James Garnon (Mercutio), Bill Stewart (Capulet), Melanie Jessop ...
chaotic energy that gives the core conflict some juice, while the props and design offer a dreamlike quality. Both set the mood for the emotional highs and lows of the teen saga, one that doesn’t just burden the shoulders of Romeo and Juliet. ...
John Gielgud's 1935 version kept very close to Shakespeare's text and used Elizabethan costumes and staging to enhance the drama. In the 20th and into the 21st century, the play has been adapted to film in versions as diverse as George Cukor's Romeo and Juliet (1936), Franco Zeffirelli'...
Henry V was first performed,which will give us a clearer picture of how Elizabethan playhouses were used and (8) theevolution of theatre. "There is also the possibility of finding relics of props (道具),costumes or items used(9) by
Romeo and Juliet . Presented at the Lowell Davies Festival Theatre in Balboa Park, San Diego, California. June 14–September 28, 2008. Directed by Richard Seer. Sets by Ralph Funicello. Costumes by Anna R. Oliver. Lighting by York Kennedy. Sound and Music by Christopher R. Walker. Fights ...
It will be assessed according to guidelines given and a rubric.The entire unit will be worth 100 points; the film will be worth 30. Following the script - 10Correct use of costumes and props - 43-5 minutes in length - 2Clear introduction to scene - 2Appropriate volume levels - 2Video ...
Silverman, Ruth