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John Gielgud's 1935 version kept very close to Shakespeare's text and used Elizabethan costumes and staging to enhance the drama. In the 20th and into the 21st century, the play has been adapted to film in versions as diverse as George Cukor's Romeo and Juliet (1936), Franco Zeffirelli'...
There isn't any real new opinion I can share with regards to George Cukor's version of "Romeo and Juliet". It feels overly long, the two leads are both far to old to play the young lovers etc. However I do wish to say that it does provide an interesting insight into adapting Shakes...
William Shakespeare’s Romeo + Juliet brought the bard into the mainstream for an entire group of new, young audiences in 1996. The Leonardo DiCapario and Claire Danes film, directed by the eccentric Baz Luhrmann, brought the traditional play into a modern, dreamlike setting, reaching across au...
is the most famous playwright of the English language as he successfully conveys many universal themes, in his 16th century tragedy, Romeo and Juliet, appealing to the audience during the time which it was produced. Hence it raises the question of how effective would Baz Luhrmann's 1996 film ...
RomeoandJuliet: Practice Compare/Contrast EssayThesisStatement: Complete the followingstatementas it applies to your essayRomeoandJulietare (more similar than different) which leads to…. (More different than similar) Body Paragraph #1:RomeoorJulietTopic Sentence: (RomeoorJuliet) is what sort of pers...
The film by Franco Zeffirelli‚ in 1968‚ does a better job reenacting the play in a motion picture than the film made by Baz Luhrmann‚ in 1996‚ because the setting‚ costumes and characterization Premium Romeo and Juliet Romeo + Juliet 1513 Words 7 Pages Good Essays Read ...
the play has been adapted in versions as diverse as George Cukor's 1936 film Romeo and Juliet, Franco Zeffirelli's 1968 version Romeo and Juliet, and Baz Luhrmann's 1996 MTV-inspired Romeo + Juliet.Contents《罗密欧与朱丽叶》(Romeo and Juliet)是英国剧作家威廉·莎士比亚创作的戏剧,因其知名度而...
Silverman, Ruth
“Romeo and Juliet” remains the magical high point of his career. To see it again is to luxuriate. It is intriguing that Zeffirelli in 1968 focused on love, while Baz Luhrmann’s popular version of 1996 focused on violence; something fundamental has changed in films about and for young peo...