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“Get Out” is a slow-burn of a film for its first half as Peele piles up the clues that something is wrong. Or could Chris just be overreacting to everyday racial tension? Peele’s greatest gift here is in the way he walks that fine line, staging exchanges that happen all the time...
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Up until then, “Lookin’ to Get Out” has shown some promise. But the movie goes wrong from the moment Voight and Young step off the plane in Las Vegas. And it goes obviously wrong, puzzlingly wrong: Why does the script abandon any pretense of plausibility and maroon the characters in ...
Bridget Jones: Mad About The Boy Movie Review: Nostalgia & Melancholy Wrap-Up Bridget’s Final Chapter! 2/14/2025 by Nelson Acosta KoiMoi IMDb.com, Inc. takes no responsibility for the content or accuracy of the above news articles, Tweets, or blog posts. This content is published for the...
of the band from a Pink Floyd-inspired outfit to an award-winning, movie-soundtrack juggernaut. Somewhat oddly, though, Tangerine Dream’s decades-long story ends abruptly with Froese’s death in 2015: no mention whatsoever is made of the band’s current incarnation. Klaus Schulze’s trai...
Improving low-proficiency Korean EFL learners’ speaking skills using two different modes of movie clips: A media literacy perspective. STEM Journal, 19(1), 129–151. https://doi.org/10.16875/stem.2018.19.1.129 Article Google Scholar Kitai, K. (2011). The portrayal of Korean Americans in ...
Casting Stone as a lovelorn wastrel waiting to be ravaged makes about as much sense as casting Madonna as Emily Dickinson. Her appeal, as this film confirms by negative example, is based on her taunt and sizzle, on her being the aggressor. Stone has the fresh-faced looks of a Grace Kelly...
The issue is even tough the movie time itself fit with the 1h premise, you really have the impression the guy spend like 3h or more trying to get back to his daughter. There is no way he would had been able to do all of this in 1h. Unless the arena, his gym, and his ex house...
But “Something Wild” is quite a movie. Demme is a master of finding the bizarre in the ordinary. Remember his “Melvin and Howard,” and the topless dancer who had a cast on her arm? If he had conceived this movie as a “madcap comedy,” it probably wouldn’t have worked. The ac...