Pre-delayis the amount of time between the direct sound and the start of theearly reflections—reflections that only bounce off one or two surfaces before reaching the listener. Larger rooms naturally exhibit longer pre-delay because it takes longer for the sound to reach a surface and reflect...
Pre-delay controls the time between the original sound and when the reverb begins. Think of it as the moment the singer takes a breath before filling the room with their voice. A short pre-delay brings immediacy, while a longer one lets the initial sound stand out before the reverb kicks...
Explore the intricacies of using reverb pre-delay to elevate your music production and get a better reverb sound.
Before the reverb algorithm gets to work, though, we encounter the all-importantpre-delaycontrol. This introduces a gap to separate the dry sound from the reverb that follows it. With no pre-delay, source and reverb merge together. With a long pre-delay, the source sound retains its dry ...
Predelay Predelay produces a short delay between the sound source and the onset of reverberation. Higher Predelay values increase the time before reverb onset. The range of this parameter varies depending on the active program; see the table below for the available values. The default value is...
|Boss Guitar Effect Processor|Chorus Pedal Guitar|Reverb Before Delay| **Versatile Tone Shaping and Effects** The M-VAVE Guitar Effect Pedal CUBE BABY is a versatile tool for guitarists seeking to enhance their sound with a multitude of effects. This compact and portable pedal offers a range ...
Meanwhile, the more familiar EQ page offers five bands of parametric EQ with frequency, gain and Q settings determined by a set of nodes you can drag around on screen. You can place the EQ before or after the reverb, useful if you just want to (say) brighten the reverb without affecting...
Pre-delay is the amount of time (in milliseconds) before the onset of the reverb/delay effect after a note is played. The best way to obtain a correct pre-delay length is first to know how long the delay effect should last (half, quarter, etc., in ms) and then try different shorter...
Using a longer pre-delay before the actual reverb kicks in allows the vocal’s clarity and impact to cut through, but gives it a natural “tail” that rings out without blurring. Background vocals are somewhat less critical in this respect, and can often benefit from a larger room setting...
A remarkably tweakable real spring reverb, with knobs for depth, speed, tone and dwell, plus three different springs for varied depth and character. It also features a 3-mode tremolo (Optical, Tube Bias, and Harmonic) triggered by a separate footswitch that can be placed befor...