TheNUX Queen of Toneis a naughtily named dual overdrive pedal partially inspired by the legendaryAnalogman King of Tone, which was a dual Blues Breaker-style overdrive. The Queen of Tone borrows the dual channel idea, but marrying the company’s popular Klon-style circuit on the left channel...
On “World Of Trouble,” featuring several percussionists and pedal steel player DaShawn Hickman, she demonstrates why she is called the Queen of Avant Soul.—Miquel Botella Armengou, Ciudad CriollaThe term “Memphis Minnie cover” doesn’t begin to do justice to arrangements that are varied in...
Electro-Harmonix in what Josh and Daniel consider the company’s design heyday of the 1970s, the EHX Lizard Queen Octave Fuzz is a nano-sized version of the pedal brought to life by the engineers at Electro-Harmonix that has all of the tones and vibes of the original circuit design by ...
The “bubbles” were created by alternating a delay length on the pedal while I play. I so makes me giggle! Bellow, written by Sarah Jane Hargis: This piece was completely improvised and performed on the spot in the studio. We only started with a name and definition and then, I played...
her trusty Boss RC-20 loop pedal, alongside her ever-present violin, gives her room to indulge and savor. Hearing how the final beats of each song transition into the genesis of another—how the glitching static from “Copycat (Broken Notions)” sets the foundation for the rapturous sermon...
What I can say about the Tsvetaeva work is, I have a feeling for now anyway, that the music itself remains dark, the cycles of Shostakovich remain dark, even if we put everything one tone higher, but the transference of the text now means it might be even stronger because of that. ...
(on pedal steel guitar), the celebrated bassist Jimmy Lee Sloas and the virtuoso guitarist J.T. Corenflos. The Washington Post, no less, nominatedSame Trailer …as its album of the year for 2013 and the English press hasn’t been slow to spot this rising star with the ravishing raven ...
back and a woman in silhouette almost threw herself out. But whoever was driving braked at once; the woman jumped down, and in the thin morning mist the workers saw her run across the road. She had blonde hair, a long black dress and a cape of blue fox furs, their tails in fringes...
the intro section's unmistakable use of a DigiTech Whammy pedal calls to mind a similarly named track from another linchpin metal act: "Killing in the Name" by Rage Against the Machine, which used the effect to shred-tastic aplomb. But the deep cut from Korn's eighth album isn't a call...