Prores 422 proxies will NOT work. They always come out choppy. At this point we only make the proxies with the H264 setting. This is NOT ideal as Prores proxies always play better on MAC vs the H264 ones. Adobe PLEASE fix this!!! Unless anyone has an other fix for th...
MartyMc wrote:So if I take your advice and shoot in H.264, 10-bit, 422, and my laptop was lagging during editing, then I could transcode to ProRes and NOT lose any quality?I suspect you mean H.265 instead of H.264.Any re-encoding will introduce some quality loss but assuming you ...
It did not happen, if the source file was H264, DNxHD, or even ProRes 4444. It id not happen, if we hadn't marked "Use maximum bit depth" in the export window. It did not happen on PP 13.0. It did happen, if the source was ProR...
Prores 422 Proxy, Prores 422LT, Proress 422 到底是什么? 风宇 但行好事,莫问前程。 ProRes系列编码器使用基于离散余弦变换(DCT)技术的压缩算法,类似于H.26x和MPEG标准。[2]ProRes被广泛用于广告、纪录片… 阅读全文 什么是 ProRes,有什么用?我用的到吗?
4.if you're a professional video editor and have plentiful budget on hardware configurations upgrade, you're suggested to take 2022 Apple'sinto consideration. Mac Studio powered by M1 Max chip is able to hardware decode & encode H.264, HEVC, as well as ProRes & ProRes RAW with. What's ...
Yes, ProRes 422 Proxy is better than H.264, but as recording codec I suggest to use at least ProRes 422 LT for better quality/compression ratio:http://www.divisiontv.com/blog/blackmag ... o-i-choose Uli Plank wrote:The H.264 quality is seriously limited in the Canon DSLRs, don't...
Do you find sequences rendered with ProRes 422 LT to be more performant than those rendered with the previous default of I-Frame MPEG? Are there camera files you use where youdon’twant ProRes to be the default preview codec? Is ProRes LT the...
Prores 422 proxies will NOT work. They always come out choppy. At this point we only make the proxies with the H264 setting. This is NOT ideal as Prores proxies always play better on MAC vs the H264 ones. Adobe PLEASE fix this!!! Unless anyone has an other fix for t...
Do you find sequences rendered with ProRes 422 LT to be more performant than those rendered with the previous default of I-Frame MPEG? Are there camera files you use where you don’t want ProRes to be the default preview codec? Is ProRes LT...