This can convey a few layers of meaning. The duality of target/arrow has a gender connotation of female/male. It is common in esoteric metaphor to speak of the soul in feminine terms and God in masculine terms (lover/Beloved, bride/Bridegroom). So, on one level, Allama Prabhu is saying...
1. On the website of Total Kannada, an independent bookshop whose owner has been generous enough to agree to sell my books. Please note that they deliver ABROAD. If you live in Bangalore, you could also visit the bookshop at its location in Jayanagar, Bangalore. 2. On Amazon India: htt...
1. On the website of Total Kannada, an independent bookshop whose owner has been generous enough to agree to sell my books. Please note that they deliver ABROAD. If you live in Bangalore, you could also visit the bookshop at its location in Jayanagar, Bangalore. 2. On Amazon India: htt...
Poetry in the Sengoku period Renga and Waka Pre-modern In the Pre-modern or Edo period (1602-1869) some new styles of poetry developed. One of greatest and most influential styles washaikai, emerging from haikai-rengain the medieval period. Matsuo Basho was a great haikai renga master and ...
Urdu WebsiteIf you want to watch services purily in urdu graphics then visit the link above. Urdu Poetry:)Free Urdu Poetry Section, You can navigate to all the Popular and New Poets of All World.Just visit the link Urdu Funny Poetry:)Wanted to read Funny Poetry was not so easy before...
But there is also a deeper, esoteric meaning relating to the subtle energies awakened in the yogi's awareness. I like the broad understanding of this where the individual identity, having melted, its banks broken through, allows the sacred waters of awareness to flow uninhibited in all ...
Original Language Kannada The five elementshave become one.The sun and the moon,O Rider of the Bull,aren't they reallyyour body?I stand,look on,you're filledwith the worlds.What can I hurt nowafter this, Ramanatha? -- from Speaking of Siva, by A K Ramanujan <<Previous Poem | More...
But that does not change the fact that the voice is not grounded in the specific type of body it purports to represent, and that the assumption of singing about what one knows, which plays a crucial role in the genesis, nature and meaning of bhakti poetry, is elided. As Chakravarti Ram...