Mar 4Deadline Film + TV ‘Parthenope’: A Stylish Coming of Age Drama from Paolo Sorrentino Bound to Fascinate Feb 28Hollywood Insider - Substance & Meaningful Entertainment Contribute to this page Suggest an edit or add missing content
संबंधित समाचार Italian box office holds steady in 2024 as Disney takes distributor crown 10 जन॰ScreenDaily Italian Box Office Eased 0.4% In 2024 To $508M As Animation Led By ‘Inside Out 2’ Topped Chart 10 जन॰Deadline Film + TV ...
संबंधित समाचार Italian box office holds steady in 2024 as Disney takes distributor crown 10 जन॰ScreenDaily Italian Box Office Eased 0.4% In 2024 To $508M As Animation Led By ‘Inside Out 2’ Topped Chart 10 जन॰Deadline Film + TV ...
View Trailer Spread the word about this film! Email a Friend Send Email NO LONGER PLAYINGParthenopeParthenope, born in the sea near Naples in 1950, is beautiful, enigmatic, and intelligent. She is shamelessly courted by many. However, beauty comes at a cost....
Parthenope, born in the sea near Naples in 1950, is beautiful, enigmatic, and intelligent. She is shamelessly courted by many. However, beauty comes at a cost. StarringCeleste Dalla PortaStefania SandrelliGary Oldman DirectorPaolo Sorrentino WriterPaolo Sorrentino ...
There’s much to appreciate in Parthenope, Paolo Sorrentino’s second consecutive bittersweet paean to his home city of Naples. At least for a while, before the too-muchness of it takes hold and the character at the center stops being intriguing and just becomes a siren with an air of my...
Parthenope (Sorrentino) March 14, 2025, 01:07:34 AM Home TinyPortal Xixax Film Forum ►Forum ►Film Discussion ►This Year In Film ►Parthenope (Sorrentino) Started by WorldForgot, February 10, 2025, 09:41:54 AM 0 Members and 1 Guest are viewing this topic....
With Parthenope, Sorrentino takes his craft into a new, unexpected direction, creating a visually striking, emotionally nuanced film that intertwines mythology, human desires, and the complexities of identity.
Critic David Ehrlich wrote that once again, Sorrentino “returns with a rapturously sumptuous film that blurs the line between the sacred and the profane until sex feels like religion and religion feels like sex, and once again he’s compelled by the siren’s song of youth and great beauty...
Il nuovo film di Paolo Sorrentino presentato a Cannes è un classico del suo repertorio, ma senza mordente.