After working the Golden Open Acrylics for three months I’m considerably less enthusiastic about them. The deal breaker is that the paint dries darker (about 10%, varies between colors) which requires guessing when mixing paint how much lighter to make it and makes it impossible for me to ...
can give a result that's intriguing and pulls in a viewer. If you paint with fluid paint (thin, runny) paint on a canvas that is vertical, for example when working at an easel rather than flat on a table, then you can use gravity to add a "happy accident" or random element to th...
Final thoughts: Personally, the best part was connecting with the people in the villages we visited. At one, an old man was so happy to have me painting outside his home, he invited me in for tea! A smile, an offer to watch my easel while I wandered looking for other painting spots...
You’ll usually find the golden ratio depicted as a single large rectangle formed by a square and another rectangle. What’s unique about this is that you can repeat the sequence infinitely and perfectly within each section.emptyeasel.com Fibonacci spiral against the Golden Rectangle Here is a ...
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and then I put the other one on the easel. I use mirrors all the time to better understand the form of anything I can see of myself in the mirror. Not using models is both making things harder for me and giving myself greater freedom. I started painting without a model when I didn...
If you want to paint thinly with heavy body acrylics when working vertically at an easel, you can add mediums to the diluted acrylics, here are some further suggestions from Sarah Sands: If wanting to thin thepainteven further, try usingGOLDENAirbrush Transparent Extender which has a consistency...
Before me on a large rolling easel sits a 4 x 6 foot painting. Described within the plane of this picture are vast tectonic plates moving and shifting as they contend with one another; a subtle and endless movement intended to hold the viewers attention… forever. The painting, divided ...
Artistic quality and labour rights have become sensitive topics in this part of the world. “If foreigners don’t like our paintings then why do they keep buying from us?” continues Jianwen while glancing at an iPad next to his easel displaying today’s image to paint. “And I don’t ...