Many of the included works offer fresh perspectives on portraiture and figure painting, reimagining these longstanding disciplines across a variety of mediums and contexts. Others propose new ways of understanding the unique qualities and complex interactions of diverse spaces and sites. Gagosian’s ...
during the post-war years--no mean feat for a man who in 1951 turned seventy years old--within a context Michael FitzGerald delineated as "a triangle of ambitions: art, politics and the family" (Picasso and Portraiture, exh. cat., The Museum of Modern Art, New York, 1996, pp. 409-...
Picasso tolled the final bell for the reign of ideal beauty and opened the way for the aesthetic tyranny of a sort of terrible and tragic beauty, the fruit of our contemporary history (B. Léal, "For Charming Dora: Portraits of Dora Maar",Picasso and Portraiture, exh. cat., The Museum ...
of course, we don’t. Other than two great pictures -- one the 1909-10Woman in an Armchair,which shows Picasso shattering Cézanne’s portraiture, andGuitar and Clarinet on a Mantelpiece, a 1915 geometric arrangement that strips illusionistic space to its bare bones -- Picasso’s towering bre...
Picasso has included both eyes in his portrayal of her, a distinctive device that was a dominant feature of his portraits of 1937 and 1938. With these works, the artist formed a new conception of portraiture, shunning the depiction of volume for a flattened and stylized composite of line and...
The book focuses on Picasso’s ability to experiment in different genres, from still-life to portraiture, from the playful and decorative collages executed during World War I, to the sophisticated realism of the years of his association with Diagilhev. It also documents the long-term impact of...
Provides an overview of William Rubin's valedictory `Picasso and Portraiture' exhibition set to open in Paris at the Grand Palais. Number of works included; Coverage of the artist's character studies; Rubin's assessmen...
Although Frida Kahlo and Pablo Picasso come from different parts of the world and have different cultural backgrounds, both artists have practiced and explored portraiture as a way of making art. 1260 Words 6 Pages Decent Essays Read More Cathy Malchiodi's Five Paintings “While survivors often ...
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(quoted in M. FitzGerald,Picasso andPortraiture: Representation and Transformation, exh. cat., The Museum of Modern Art, New York, 1996, p. 301). Picasso rejected any such dogmatic, strictly partisan view of art history. He abhorred the repetitious, circumspect, and all too orderly production...