For roots rock, 60s pop and R&B-inspired players who know how to use a low-to-medium-powered tweed amp, the Telecaster’s combination of cut and punch is manna from heaven. Dave Davies, early Page, The Who, Fleetwood Mac, Petty, the Stones – it’s all here and it doesn’t take...
The next weekend at the Grande it was MC5, Brownsville Station, and Fleetwood Mac, or Savoy Brown or the Small Faces. You couldn’t be a soft-rock band or you’d get your ass kicked. We knew how good the Stooges and MC5 were, and if we had all just stayed in Detroit, that would...
who often backed Roy Orbison. He followed that with a stint in Classics IV, getting a taste of chart success in 1968 when their song "Spooky" went to No. 3. In 1970, the initial lineup of Atlanta
who often backed Roy Orbison. He followed that with a stint in Classics IV, getting a taste of chart success in 1968 when their song "Spooky" went to No. 3. In 1970, the initial lineup of Atlanta
“There was no interior; our walls were two-by-fours, Visqueen stapled onto them. Every once in a while we’d get crazy with the music—the big record was Fleetwood Mac’s Rumours—and you’d have to turn it down because the walls were plastic.” ...
the initial lineup of Atlanta Rhythm Section began to take shape, with Daughtry joined by former members of both the Candymen and Classics IV. Top 10 singles like "So Into You" and "Imaginary Lover" were among the many highlights the keyboardist played on during his nearly 50 years with ...
It also didn't take long for the rockers to re-establish their musical relationship. "I don't give a shit what we're playing," Lynch said. "If I look up and see Mike Campbell's butt in front of my drum kit, it's kind of like I'm home." As a result, Lynch hasn't ruled ...