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Homer Rodeheaver and the Rise of the Gospel Music Industry, Urbana: University of Illinois Press, 2021)— Rodeheaver was the trombone-playing song leader for the Christian evangelist Billy Sunday in the first third of the 20th century—a side aspect to my research was an investigation into ...
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Is the work a play on sequence (narrative and non-narrative) in the book? Does it intentionally dance on the border between the ephemeral performance or installation and the more lasting book? Is it questioning the book as document? Is it posing itself as a metaphor of the book? Does it...
Exclusive: Tim Daniel & David ‘Db’ Andry Dive Into the Murky Depths in Crush Depth "Though the tide is high, have no fear." While many gravitate to spaceship-set horror, I find underwater horror stories to be equally terrifying, especially considering how little of the ocean we've ...
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There is a censored garden inside of me. Over my worms someone has thrown a delicately embroidered sheet. And also the child at the rummage sale – more souvenirs than memories. I am the cat buried beneath the tangled ivy. Also the white ...
On the far side of the sky The first thing that I’m gonna do Is spread my wings and fly I’m gonna land beside a lion And run my fingers through his mane Or I might find out what it’s like To ride a drop of rain Yeah, when I get where I’m going There’ll be only happ...
Not long after this exhibition, Spector wrote of “the language of the book” and all its parts — pages, signatures, cover, letter forms and their placement on the page, etc. — ashaving a syntax(“Going Over the Books”). With its pencil-circled numbers, alignment guides, pastedowns ...