等了好几年奥巴150-600,还是死扛价。突然明白了,我也要Z8+180-600.我已经把奥林巴斯OM-1 +340+12-100 +2个增距镜白菜价全出了,加钱进了尼康Z8 +尼康Z180-600,二个月用下来感觉非常好,尤其尼康Z8的裁切DX功能让我觉得非常好用,超出我的预期。在尼康Z8切换到DX模式(裁切)时,虽然只有近2000万像素,...
and its range is focused around a series of mirrorless models that use the Four Thirds sensor format. The PEN and OM-D-series 'Micro Four Thirds' cameras have proven capable and popular with those photographers that value their relatively small size and weight compared to larger sensor systems...
Launched in January 2024, OM System OM-1 Mark II is a 20.0MP Pro Mirrorless camera with a Four Thirds (17.4 x 13 mm ) sized Stacked BSI Live MOS Sensor sensor, built-in Image Stabilization, weather-sealed body, Fully articulated touch screen and Micro Four Thirds lens mount. OM System ...
OM-1 II相机 它将使用相同的OM-1传感器和处理引擎,真正的变化是将之前的奥巴Logo改为“OM SYSTEMS”,机身缓冲存储器提高容量,可拍摄用于高分辨率模式的14bit RAW。会配备人工智能识别,并具备更好的AF对焦系统。它的售价应该在2400欧元左右。 9-18mm II镜头 150-600mm F5.0-6.3镜头 这是一支令人兴奋的镜头,它...
At least we already got Full Frame lens with the 2kg Sigma 150-600mm, oups I mean OM system lens... ReplyReply with quoteReply to threadComplain Forum Threaded view Latest in-depth reviews Fujifilm X-M5 In-Depth Review: a camera for the content age ...
The M.Zuiko 75-300mm f/4.8-6.7 II looks amazing, with its 150-600mm effective focal length, but the truth is it's not the sharpest knife (or lens) in the box. And while the M.Zuiko 150-400mm f/4.5 TC1.25X IS Pro is a spectacular 300-800mm f/4.5 ultra-telephoto, it is a...
Manual focus override can cause issues with other systems because it’s constantly on. That’s not the case with the snap-back focusing ring on the 40-150mm. To clarify all this, the system does a better job without a teleconverter. And I’m wondering whether it’s because I have a...
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with a Panasonic lens that DOES have a switch (e.g. 100-400), the lens switch turns the LENS OIS ON or OFF, and the camera body’s settings must be used to turn the in-body stabilization ON or OFF. The two systems DO NOT cooperate, so you MUST have one of the systems turned ...
(IBIS). Last but by no means least, we critically evaluate the image quality, in both JPEG and raw, including resolution, high-ISO noise, and dynamic range. We then take all these factors into account, along with such things as portability and lens systems, when giving our final ...