Like the EM1 Mark I before it, the Mark II provides dedicated controls for the drive / HDR mode and AF / metering mode on the upper left side, with a chunky power switch around them; their design remains reminiscent of a classic film rewind lever on a 35mm SLR. Each button presents t...
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For skin tones, we can once again reproduce similar results using the RAW files, although the same behaviour occurs when you open the images: the G9 tends towards red and the E-M1 II towards green, so the corrections that need to be applied are different. G9, RAW E-M1 II, RAW The ...
On the EM1 II, you can dim the brightness of the LCD, put the camera to sleep or turn it off after a certain amount of time. Additionally, the Quick Sleep mode disables live view and turn off the camera in a much shorter time. Both cameras can be used with a battery grip to impro...
The Olympus OMD EM5 Mark II is one of the most satisfying all-round cameras I’ve tested to date. It takes the charm of the original EM5, adds a bunch of features from the flagship EM1, complements them with a few new ones and even manages to improve some core capabilities too. It ...
The OMD EM10 Mark III, like all Olympus OMD and PEN bodies, features built-in sensor-shift stabilisation that works with any lens you attach. The EM10 Mark III inherits the same five-axis stabilisation of its predecessor, which in turn took it from the original EM1; in theory this should...