” and “The Drunkard’s Doom” at Shank, showing that, like Dylan before him, he can perform and mine folk songs not only to immerse himself in tradition but to feel his the syllables of tradition forming on the vocal chords that create the sounds of his own songs....
Oh, ok. When Noiseyinterviewed youin 2017, you talked about how you primarily focus on lyrics as a songwriter and listener. I do. For this, there’s a pulse here that’s being so simple but so incessant and propulsive. It creates so much of a kind of form in the song just in the...