” and “The Drunkard’s Doom” at Shank, showing that, like Dylan before him, he can perform and mine folk songs not only to immerse himself in tradition but to feel his the syllables of tradition forming on the vocal chords that create the sounds of his own songs....
” Mitchell toldRolling Stonein a1979 interview. “At that period of my life, I had no personal defenses. I felt like a cellophane wrapper on a pack of cigarettes.” She added, “I felt