noise reduction, contrast, and saturation. Nikon’s Flat Picture Control is good for this if you’re shooting in high-contrast light. However, in low-contrast light, I have found that the Flat Picture Control can be a littletooflat
A manual that was exciting, clear to follow, had examples and was used by a professional who gave just the right amount of technical info with explanations of why you use those settings, when to use those settings and so on, all properly explained. The book is a revelation, a joy to ...
Flexible Color Picture Controls:The Z6III supports the new Flexible Color Picture Control feature in NX Studio.9Z6III owners can use the software’s powerful Color Blender and Color Grading features to create custom presets that can be uploaded to the camera as Custom Picture Controls. New N...
Standard Picture Control, +3 sharpening, ±0 Saturation.ISO AUTO, range 100 - 51,200, Auto ISO slowest shutter speed 1/125.Depending on what I shoot, I might set either U1 or U2 to any of these:Sports D780 review U1 & U2 topAF-C, Auto-AF Area select....
Nikon hasn't explained the reason for the limit as of this writing, but it's likely due to sensor heating issues that might start to degrade image quality. The frame rate is 24 frames per second, and audio from the built-in microphone is monaural, while a standard 3.5mm stereo input ...
Picture Control topThis is where you set the look of your images. Do you want more or less vibrant colors, or more or less contrast, or maybe black-and-white? This is where you set it.The D5300 has the same look with any given setting of the Picture Controls as every other Nikon ...
Focus mode by default is set to AF-S (Single AF). I won’t go into too much detail about each focus mode, since it is all explained in detail inthis article. Here is a quick recap: AF-S– this mode is called “Single-servo AF” and it is used only for stationary subjects that...
(detail and sharpness) and color reproduction are also good. Users can expect even better photos with processing performed by Vignette Control and Lateral Chromatic Aberration Compensation functions. As Nikon digital cameras use the same mount as conventional Nikon film cameras, users can make the ...
As explained to me by an experienced technician at Century Optics, there is still no lens to rival the 300mm T/2.2 in the cinematography industry. Another experienced technician who supplies top cinematographers explained "people that have these still use them, it is an excellent lens - and ...
It was explained as a sort of hybrid with the front group of Gauss type and the rear group of Topogon type. However, as Zeiss acquired a patent on a similar design prior to World War II, it is difficult to tell which came first. The Xenotar-type optics were used with many mid-level...