but it could very well be the exact Neumann you’re looking for. Its design derives from vintage microphones of the 1950s: the M 49 and M 50 models to be precise. The TLM 49’s sound is often described as “warm,” with a specially tuned frequency response that’s perfect for...
and fast transient response make the TLM 102 an excellent choice for male and female vocals as well as a wide range of instruments, such as acoustic and electric guitar, bass guitar and double bass, drums, percussion, brass, saxophone. The TLM 102 is a true workhorse for any small studio...
The frequency range of the TLM102 extends from 20Hz to 20kHz (‑3dB) and is nominally flat up to 6kHz before that gentle presence rise kicks in. It has a very respectable sensitivity of 11mV/Pa at 1kHz into a 1kΩ load, with an equivalent input noise level (A‑weighted) of 12dBA...
The TLM 102 is the younger, cheaper brother of the TLM 103. While that certainly doesn’t mean that the TLM 102 is lacking in quality, there are certain differences between the two that explain the price disparity. The TLM 103 has an output signal 6dB louder than the TLM 102, allowing ...
Additionally, the KMS 105 is crafted with an extended frequency response, optimized for the human voice. This results in a detailed and authentic capture of your vocal nuances, offering superior high-end clarity compared to standard dynamic handheld mics. Despite its advanced features, this microph...
The TLM 170 R combines the sonic precision and linearity of a small diaphragm microphone with the smoothness and flexible pattern control of a classic large diaphragm microphone. Over an enormous dynamic range it offers a remarkably linear frequency response, both on- and off-axis, in each of ...
4. 声学处理(AcousticTreatment)与频率响应(Frequency Response) 一个好的系统必须要尽可能的达到平整的频率响应,但事实上,达到完全平的频率响应是不可能的,声学空间中太多影响频率响应的东西,因此喇叭不需要做到像麦克风那样几乎接坦的频率响应,只要频谱上不要有过大的波动便可以算是好的环境。
The TLM 49 uses the famous K 47 capsule, which was also used in the M 49 and the U 47. The capsule has a linear frequency response up to the upper mid-range. Above 2 kHz there is a gentle presence boost up to 3 dB. The capsule is enclosed by a large microphone headgrille, whic...