Therefore, though these two aspects are completely disjoint, they are two sides of the same coin .Heads and tails; heads-the ego and tails -the snake following its instincts. That Naga is Appanna is indubitable from the very outset, the beginning of Naga's entrance.Rukhaya M...
In this feminist play Girish Karnad has created a world where the female protagonist is struggling to establish her identity and space of honour, and also posing a challenge to the norms and values made by the male-dominated society.JANARDAN ROY...
Nagarajan, V.Prabakar, S.Literary Endeavour
Mrs.Rajashri Dattatray GaikwadJETIR(www.jetir.org)
Girish Karnad is the foremost playwright of the contemporary stage. He has given the Indian Theatre a richness that could probably be equated with his talents as actor cum director. He has represented India in foreign lands as an ambassador of art and culture. His plays are staged in theatre...
IJIRT(www.ijirt.org)Padmapriya
The paper titled `Cultural semiotics in Girish Karnad's Nagamandala' explores the cultural symbols presented in the play Naga-Mandala (1987-88). Semiotics deals with symbols and signs that represent a meaning in the given context. Cultural semiotics studies the cultural signs and symbols. Naga-...
Girish Karnad shows different dimensions in play writing and becomes visible as a humanist, as a mythical playwright and as an existentialist. As an existentialist, Karnad nicely maintains existentialism in the plots of mythical, historical and folk tales. With his first play "Yayati", he touches...
Is sex the original sin or the third of the four Purusharthas, the four goals of human life? Is...Durai, Denish Raja K.IUP PublicationsIUP Journal of English Studies
Dagar, Itika DahiyaLanguage in India