costumes by Catherine Zuber, lighting by Donald Holder, and sound by Marc Salzberg. Music supervision is by Ted Sperling, featuring the musical’s original musical arrangements by Robert Russell Bennett and Phil Lang, and dance arrangements by Trude Rittmann. Orchestration adaptation is by Josh Clayt...
From first frame to last, the film is slick, graceful, gorgeous to behold, with costumes and sets richly evoking the Edwardian era... My Fair Lady begins in London, on a rainy evening outside Covent Garden, where a respectable girl is selling bouquets of violets... Professor Henry Higgins...
my fair lady Nixon was a ghost singer in many movie musicals, not just in My Fair Lady.Although concealed at the time, she sang in films such as The King and I, and West Side Story.. The musical had its pre-Broadway tryout at New Haven's Shubert Theatre. Eliza is insulted at rece...
in the Broadway national tour ofMy Fair Ladycoming to the Arsht Center, agree that there’s a depth in the production that goes deeper than familiar and beautiful songs, and lush costumes and sets.
Super glamorous Patty was the first time Elizabeth got to play into the ’80s trends we might expect. Big earrings, bigger coats. The first time Elizabeth had connected with one of her targets on a personal level. The Young Hee storyline was devastating, the costumes were incredible. And th...
ALICE NINE first trip to Malaysia was in 2014 at Mega Star Arena and I was told it had a fond impression on the band that they (the band and managers) requested to return to Kuala Lumpur, Malaysia again in 2015. Organisers Toybox Projects, who already hosted the likes of HAKU, MIYAVI...
Sir Cecil Beaton best for his photography… However, he was also known and very well respected for his work as a costume designer, artist, set designer and published diarist. He designed costumes for many hit movies, such as: Gigi (1958), Anna Karenina (1948) and My Fair Lady (1964) ...
Or, perhaps, ‘kid in a candy shop’ is a better metaphor, because that seems like it’s the amount of fun that the filmmakers had making ‘The Good, the Bad, the Weird.’ The color choices, the layering of any props or costumes from anywhere remotely near to the movie’s time and...
I arrived that morning in the midst of director Reginald Hudlin’s discussion. But, the little clip I saw, which showcased the film’s score, gave me a great sense of how intricate and accurate the film was in its costumes, sets and design. The interesting element that the moderator discu...
“The first act we clanked hand-held cymbals as we danced around in little Grecian costumes. The costume was a pink cotton under thing with a filmy deal over it. Real short. I would dance around and take a big leap off the stage,” she said. “The second act was anItalian folk dan...