; also may be found in combination with other terms such as a tempo giusto (in strict time) or a tempo di menuetto (at the speed of a minuet) * attacca: attack or attach; go straight on; i.e., at the end of a movement, a direction to attach the next movement to the previous ...
P is for pizzicato, and other musical terms definedDavid Williams
but the modern double-action harp, a development of the early 19th century, is in general orchestral use. The strings are tuned in flats,starting from a bottom C flat, with seven pedals, each of which can change a given set
Understanding these terms is an essential starting point for piano study. As you become a more advanced pianist, you will build on and expand your knowledge of these terms. Melody: A tune or theme that you would sing along with; a group of single tones played one after the other that ...
We focused on a particular term of evaluation: pleasantness. This term has often been used in previous research as a way of capturing consonance perception in listeners without musical training (e.g. refs.13,27,53), but there are many related terms that we could equally probe that are near...
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with the question, “Is there any music playing in your head right now?” If they answered yes, they recorded themselves singing or humming the tune as best they could. We then compared these recordings to the original versions of the songs, to see how accurate they were...
But Bennett took advantage of the young LP album format, starting in 1955 with “Cloud 7,” featuring a small jazz combo led by guitarist Chuck Wayne. Bennett reached out to the jazz audience with such innovative albums as the 1957 “The Beat of My Heart,” an album of standards that ...
You can identify them in “absolute” terms: without any other point of reference. We call this your sense ofabsolute pitchor“perfect pitch”. You can identify them by comparison to the pitch of other notes (for example, the note before or after it). We call this your sense ofrelative...
In terms of the amount of musical score there is in it, we went into it thinking, “Well, we’ve got a bunch of good songs and some strong actors — why are we going to need a score?” I think we imagined that we’d do the jazz sessions for the songs, keep the musicians ...