* beat: (1) the pronounced rhythm of music; (2) one single stroke of a rhythmic accent * bellicoso: warlike, aggressive * ben or bene: well; in ben marcato ("well marked") for example * bend: jazz term referring either to establishing a pitch, sliding down half a step and returning...
A generic term used to designate the leader of a band. Although this term can be applied to any person that leads a band, it is most often associated with the leader of a military band, concert band symphonic band, or marching band. The bandmaster is generally the director or conductor ...
Description:A musical term that refers to an energetic type of music. (1) Cadence Meaning:Beat, rhythm Origin:Latin Pronunciation:KAY-DUHNS Variations:Kadence, Kaydence, Cadenza Description:Cadence was one of the mostpopular baby names for girlsin 2020 when it ranked number 677 in 2020. There...
These references suggest the long-term relevance of an alternative and informed concept of a music applied to MTI. 3. Musical Interaction Research and Design: A Conceptual Framework with Five Enabling Dimensions The complex ecology of the Common Practice Period constituted a system of references, ...
If a music’s peak frequency is very elevated, it likely has a forceful rhythm, making it perfect for bringing down the house at the start of a new semester. The rhythm pattern with the greatest hypnosis-producing quality is used to determine the uneven number of beating for 1 minute ...
“Tired of My Tears,” a Ray Charles tune, was a wonderful showcase of their joint ability to sing and perform together. Tedeschi lead the group on guitar while Krasno kept it reeled in on rhythm for “Break In The Road,” a great sing-along song with Joe Russo back on drums. The...
is flowing, harmonious, but the musical discourse is interrupted by a sharp and dramatic augmented sixth chord, which suddenly leads to a choral restatement of the theme, which is accompanied by a fanfare-like rhythm that gives to the plainchant the nature of a march echoing the ongoing war....
It was in some ways the most conventional work in the programme, in three movements (the others were in seven or eight) and the only one to use classical sonata form. Christopher Palmer's 1991 programme note used the term Mozartian, but the composers who came to mind were Rachmaninov and...
Those dance beats form the spine ofGetting It Back, from the opening teasers to the final homages. But they also flatten the myriad responses to the music into a single rhythm. Instead, listening closely to the impressive roster of enthusiastic interviewees, there’s a clear difference between...
This was a time of boom and bust for film compa- nies, unsure of which technologies to invest in, unfamiliar with the new 98 L. PORTER aesthetics of sound and uncertain whether talkies were a short-term fad. In May 1929 alone, eight companies were set up to produce talkies but only ...