harmonicity to consonance perception, but there are certain details of the timbral effects that still fail to be explained by existing models. Moreover, these discrepancies are not obviously solved by averaging the models to form the composite model. As a follow-up question, we wondered what eff...
These Form Atoms may each be of varying length and have musical properties and associations that link together through Markov chains. To provide myriad new composition, a set of heuristics ensures that musical textures between concatenated musical sections follow a supplied and defined briefing ...
Singingis most probably the oldest musical activity. Even in the mostarchaiccultures the singer had a special, defined position. In early singing there are three classes of sound: the first is called logogenic, in which words form the basis for the wavering musical incantation; the second, cal...
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JOJO CARMICHAEL: A number of responsibilities come with being dance captain forMJ: THE MUSICAL. One of them being, upholding the integrity of the choreography that we were taught day one. This can be married to making sure everyone is moving as one and the visuals are clean, clear and effe...
This suggests that, as information about the quality of the performance accumulated, participants needed to exert cognitive control in order to form and retain a negative evaluation for performances that had been framed as played by a professional compared to those that had been framed as played ...
Though ’91 may be defined in our memories by the alt-rock acts that emerged and/or took over that year, these were the songs that really represented the identity of popular music at the time, and we were just as fortunate to have it as such. ...
Musical affect may comprise anything from preference and mood to emotion and aesthetic judgment (the latter concept will be more carefully defined in a subsequent section). What all these have in common is valence: an evaluative feeling of an object, person, or event as being positive or ...
Musical obsessions can be conceptualized as a severe form of intrusive musical imagery (IMI). The two-factor model of musical obsessions proposes that musical obsessions result from the interaction of the frequency of IMI and dysfunctional interpretations of IMI. The aim of this study was to evalua...
Music-induced analgesia (MIA) is a phenomenon that describes a situation in which listening to music influences pain perception. The heterogeneity of music used in MIA studies leads to a problem of a specific effect for an unspecified stimulus. To addres