The theory of the male gaze was developed by British film scholar Laura Mulvey in the 1975 essay "Visual Pleasure and Narrative Cinema." The term was first used by art critic John Berger to demonstrate how representational conventions in art and media encourage particular understandings of reality...
「創造了電影」 用精神分析法以女性主義切入寫電影理論的開山師祖,讀每一句都想quote的神一般的essay(雖然based on Freudianism) 其實讀每一本電影相關文集或電影書籍十有八九quote Laura Mulvey這本,1975年就寫出被後世多重引用的“male gaze”以及“narcissistic identification”(最終直接引出戀物癖凝視 / 偷窺 / ...
Visual Pleasure and Narrative Cinemawas written by Laura Mulvey in 1975. It played an important role in the field of cultural studies by initially introducing the concept of ‘Male Gaze’, which has been widely used to analyze and examine various phenomena since then. Laura Mulvey revealed how ...
The Male Gaze theory, in a nutshell, is where women in the media are viewed from the eyes of a heterosexual man, and that these women are represented as passive objects of male desire. Audiences are forced to view women from the point of view of a heterosexual male, even if they are ...
男性凝视(male gaze)最早是Laura Mulvey在她的Visual Pleasure and Narrative Cinema提出来的。这是一个女性主义电影理论。这个词援引了“凝视”的性别政治性,指一种赋权男性而物化女性的性化表达方式。在男性凝视下,女性被展现成一个异性恋男性的幻想对象。她自己的感受,想法和她自己的性冲动都不被关心。Mulvey认为...
Male Gaze and Visual Pleasure in Laura MulveyFeminist film theory plays a crucial role in examining the concept of spectatorship . Ruby Rich puts it this waydoi:10.1007/978-3-030-71830-5_21Patricia StefanovicAna Grui ParaThe Palgrave Handbook of Image Studies...
Related: narrative film - the male and female gaze - 1975 - Laura Mulvey - feminist film theory IntroductionVisual Pleasure and Narrative Cinema (1975) by Laura Mulvey was first published in Screen 16.3 Autumn 1975 pp. 6-18 ExcerptI
Male Gaze, Female Creativity and Visual Technologies: A Conversation with Laura Mulvey This conversation between Laura Mulvey and Roberta Sassatelli offers a historical reconstruction of Mulvey's work, from her famous essay "Visual Pleasure a... R Sassatelli - 《Studi Culturali》 被引量: 0发表:...
A woman performs within the narrative, the gaze of the spectator and that of the male characters in the film are neatly combined without breaking narrative verisimilitude. For a moment the sexual impact of the performing woman takes the film into a no-man's land outside its own time and ...
Cinema sisters: Laura Mulvey, Cindy Sherman, and the destruction of the male gazeThis thesis explores the relationship between Laura Mulvey's theories of phallocentrism in American cinema and Cindy Sherman's in the late 1970s. Feminist theories and sociological studies from this period are used ...