When Allegra meets Grace, sparks fly, and she begins a parallel romance, unaware that her new lover is the woman Philip left to be with her. Released: 2006 Directed by: Maria Maggenti 116 Boulevard Robin Williams, Kathy Baker, Roberto Aguire 5 votes A married man's (Robin Williams) long...
I’ve worked with Adrian for nearly 10 years, helping with editing and many other aspects of production. This is his most accomplished movie yet. As one attendee to the screening said, “every special ed teacher should see this film…” both for a historical perspective and to see what tho...
Fortunately, I’m doing more than ever before, and while this site is currently on hiatus, here are four ways to keep up with everything that’s still happening: 1. MuckRack: My journalist profile pulls in all of the articles I write for any site, so you can keep up with every ...
For its 3-hour ambitious epic structure, its pioneering use of parallel editing and its narrative spanning many decades of action and characterization, "The Birth of Nation" simply marks the birth of modern Cinema, with D.W. Griffith as the undisputed father. Vote! Un chien andalou (1929)...
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I love the editing in this movie. Sometimes it was hard to follow when the scene was taking place but I have no complaints. For the most part, the flashbacks were the most fun and enjoyable scenes. Laurie is such a player. He basically involves himself with every girl except Beth. ...
There is a parallel with Ratchaprasong district in Bangkok burning following the 2010 riots. Fiang's father, taking part in protests, is finally safe. This movie also contains critics on Thai education. This is much more than a standard teen movie and it is dealing with interesting thoughts ...
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Lyra Belacqua (Dakota Blue Richards) lives in a parallel world in which human souls take the form of lifelong animal companions called daemons. Dark forces are at work in the girl's world, and many children have been kidnapped by beings known as Gobblers. Lyra vows to save her b...
The iconic Greenwich Village courtyard over which a convalescing Jimmy Stewart looks out and spots something he wasn’t meant to see perfectly encapsulates the subjective blindness that allows New Yorkers to lead parallel lives in such close quarters. Hitchcock’s thriller also captures what it take...