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The Navigatormines an ocean liner for every gag imaginable. Keaton plays a clueless rich young man who finds himself stranded on a giant, adrift ship with the clueless rich young woman who rejected him serving as his only company. These two spoiled upper-class twerps don’t know how to open...
Before long, he finds himself in dance, demonstrating the kind of raw talent seldom seen by the class' exacting instructor, Mrs. Wilkinson. With a tart tongue and a never-ending stream of cigarettes in her hand, Mrs. Wilkinson's zest for teaching is revived when she sees Billy's ...
The story of an adopted, professional black British woman (Marianne Jean-Baptiste) who tracks down her white, working-class birth mother (Brenda Blethyn) came with its own themes and ideas. But it also allowed Leigh to refine interests he had been exploring for years, such as the ...
(despite JP's wishes) that she gifts her with a check for 8,000 euro. Grace attends an art class, but becomes shy when she's told to paint a nude model. The model comes up to her after the class and talks to her about being comfortable in her own body-something which should have...
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Movies are one of the objects of study for Social Psychology because they are not only art or industry; they are a way of socialization. Therefore, movies show behaviour models, social values and norms, and make people react: movies are persuasive. A psycho-social analysis of films is necess...
‘Parasite’ follows two families, one rich and the other poor, who start sharing the same roof after a lot of forgery. However, what’s supposed to be a successful home invasion takes a dark turn after a secret lying in the posh household’s basement comes to light. With class struggle...
This made her experience even that more isolating in contrast to her white female counterparts who, if they did get that brief seat at the table, were promptly dismissed for their class, burn scars, and not performing for the teenage ‘good ‘ol boys’ club. The most glaring difference; ...
for Freedom and My Home Village The first section discusses the narrative forms of the two films and the second discusses their aesthetic ideologies through an attention to the dynamics of interior and exterior, depictions of landscape, and the effects of close-ups... T Workman - 《Review of...