I thought Get Out was ok…but nowhere near as impressive as the hype. It was a very very creepy movie. I have not seen Joker listed as a horror movie. I have seen the new movie..The Lighthouse being listed as a horror movie. As for movies not being horror movies…..that is one...
Akkaphan Namart In the Shadow of the Naga, Fear Me Not, Coffee Please Akkaphan Namart (Thai: อรรคพันธ์ นะมาตร์, born January 28, 1985) is a Thai actor. Namart graduated from Bangkok University.He has starred in Thai dramas such as Mon Ruk...
at the time. This turned out to be wrong as most were better than your typical bump 'n grind flick but nothing else. This film, however, is actually good enough to where it could compete with a mainstream film. Not only do we get some good acting and directing but the screenplay is ...
A clever plot with heart rending twists but I could could not watch beyond the appalling portrayal of my beloved London. I came home today and found my wife watching it and I just knew it was that movie I saw a couple of years ago that had the very worst "American London". Being Ang...
Did a stranger come in and push him out the window of his remote cabin? Did his wife murder him? Did he jump? This movie is called a mystery-thriller-drama, but the ‘gique’s rule is that if a movie says it’s a thriller and anything else, it’s not a thriller. It’s also ...
“If You’ve Seen…Then You Must See…” What it will do is take one movie from the Golden Era that is well-known or recognized as being of high quality, and then introduce a very similar movie in type or theme also from the Golden Era that is not as well-known but also of ...
My Life as a Zucchini (dir. Claude Barras) HONOURABLE SELECTIONS (+5) Marrowbone (dir. Sergio G. Sánchez) Brawl in Cell Block 99 (dir. S. Craig Zahler) Lady Macbeth (dir. William Oldroyd) Hounds of Love (dir. Ben Young) A Ghost Story (dir. David Lowrey) ...
a shlumpy sad sack as he moves around New York City, shunning people, trying to be inconspicuous, wishing he could be invisible. But he perks up a bit to a new neighbor, Ingrid, an aspiring playwright (Norway’sRenate Reinsve) who seems to “see” him as a person, not as a freak...
Marty, 1955 (dir. Delbert Mann) The Stranger, 1946 (dir. Orson Welles) Tootsie, 1982 (dir. Sydney Pollack) Charade, 1963 (dir. Stanley Donen) Night Nurse, 1931 (dir. William A. Wellman) Two For The Road, 1967 (dir. Stanley Donen) The Crucible, 1996 (dir. Nicholas Hytner) The Cont...