Miranda July. Writer: Me and You and Everyone We Know. Filmmaker Magazine rated her #1 in their "25 New Faces of Indie Film" in 2004! She is a performance artist and published short story writer. Since becoming a filmmaker, her debut feature, Me and You
This is just fantastic. July’s short stories are so imaginative in the way she blends mundane realism with the bizarrely surreal. It feels like a modern, shabby, seedy version of magic realism. Many of the characters are strange, but still trying to get along with life in their own brok...
Miranda July is known for her whimsical characters and uncanny, intimate stories of what it means to be human. Her first major film, “Me and You and Everyone We Know,” premiered to acclaim in 2005, and a collection of short fiction, “No One Belongs Here More than You,” w...
Miranda July is a writer, filmmaker and artist. Her debut novel, THE FIRST BAD MAN, was an instantNew York Timesbestseller, and her collection of stories, NO ONE BELONGS HERE MORE THAN YOU, won the Frank O’Connor International Short Story Award. Her writing has appeared inThe Paris Review...
Miranda July is a writer, filmmaker and artist. Her most recent books areAll FoursandThe First Bad Man, a novel. July’s collection of stories,No One Belongs Here More Than You, won the Frank O’Connor International Short Story Award and has been published in twenty-three countries. Her ...
Broadway Musical ‘New York, New York’ Will Close on July 30 The show, with a score by Kander and Ebb and additional lyrics by Lin-Manuel Miranda, opened on April 26. Arts Jul 23, 2023 4:04 pm By Caitlin Huston “A Battle for Survival”: Mandy Patinkin, Lin-Manuel Miranda, ...
“We don’t call you ’hun’ or ’sweetheart’ or ’baby,’” says Theresa (Debra Winger) to her daughter Old Dolio (Evan Rachel Wood) late in Miranda July’s new Kajillionaire, the filmmaker’s dreamily eccentric interrogation into the social construct of familial love. “We don’t wrap...
Ms. July, apparently you have a rule that after you write a book, you make a film, and after you make a film, you write a book. Why? Mainly just because they take so long that if I were to do, say, two movies in a row, I would lose my agility as a fiction writer. I don...
This is more Miranda July than the first movie and I think in some ways that just comes from confidence. ‘Okay, you liked that, then I’m going to become even more me now.’ Maybe that makes it slightly less broad in a way. To me that’s like a growth, it’s a feeling of ...
Correspondingly, the unfolding of the work’s argument is characterised primarily by a series of rhetorical ruptures as short fragments of otherwise impalpable processes are abruptly invoked and, equally suddenly, abandoned. Posted in Recordings | Leave a reply Perlman and Milstein Posted on July ...