There has been a reappraisal of Davis’s jazz and rock fusion albums of the late 60’s and early 70’s in the last decade with tastemakers like The Wire and Pitchfork praising albums likeOn The Corner.It clearly took a while for audiences to catch up with the genius of Miles Davis. A...
Miles Davis shows that he was clearly going further than anyone else, so much so that this album will be a first inspiration as much musically as aesthetically that will allow other jazzmen (like Charles Mingus, John Coltrane, Ornette Coleman for example) to make very great albums like this...
Miles Davis at Newport 1955-1975: The Bootleg Series Vol. 4 Miles at the Fillmore - Miles Davis 1970: The Bootleg Series Vol. 3 More Reviews From Pitchfork Highway Prayers Billy Strings Plays John Coltrane and Langston Hughes Raphael Rogiński Odyssey Nubya Garcia Like All Before You The Void...
Miles Davis’Kind of Bluehardly needs an introduction. Many thousands of words have been written about its legendary composition and recording, about the extraordinary ensemble responsible for its existence—Davis, John Coltrane,...
And the Dream Team lineup of Miles Davis, Cannonball Adderley, John Coltrane, Bill Evans, Wynton Kelly, Paul Chambers, and Jimmy Cobb. Yes, Kind of Blue is utterly inimitable.Part of Mobile Fidelity's Miles Davis catalog restoration...
Kind of Blue is frequently cited as the greatest jazz album of all time. This is full story of how Miles Davis, Cannonball Adderley, John Coltrane, Bill Evans, Wynton Kelly, Paul Chambers and Jimmy Cobb made it
MILES DAVIS AT NEWPORT 1955-1975: The Bootleg Series Vol. 4(released March 2015) was voted the #1 Historical Reissue in the 2015 JazzTimes Critics Poll and won Historical/Reissue/Vault Release in the 2015 JazzTimes Readers Poll. The set was also named in Downbeat’s “Best ...
But Cobb’s role as a drummer on the “Kind of Blue” jam session headed by Davis would forever change his career. That album also featured Adderley and John Coltrane. The album, released on Aug. 17, 1959, captured a moment when jazz was transforming from bebop to something newer, cooler...