present, and future. If you want to check out upcoming events or new stuff available, and get some freebies, add yourself onto the mailing list in the sidebar. There is also a Ko-Fi fundraising link there for anybody who wants to support my creative efforts. ...
Vocally, I have a kinda nasally high-pitched voice that I never liked. It’s kind of a bit like Neil Young, Wayne Coyne (Flaming Lips), Kurt Cobain (Nirvana), Curt & Chris Kirkwood (Meat Puppets), etc. I try to give it a little bit of a Tom Waits-like growl on the lower end...
Skeletor, Beast-Man, Stratos, Orko, and Evil-Lyn (I haven’t yet acquired the exclusive Man-at-Arms, Faker, Moss-Man, Scareglow, and Trap-Jaw figures but I likely will eventually). These new figures join Spikor and Hordak on my shelf. Each one of them is cheek-pinching...
– Gia Kourlas, New York Times “His legacy should be … how his dancers continue to breathe life into his choreography, a nod to his words. No one should miss Ailey. Though categorized as a documentary, the film captures creativity at its best.”– Wendy Shreve, Featuring Film “Wig...
Mike & I are digging in and getting ready to do ourTalking Crit Liveon Wednesday Nights @ 8 PM Eastern, afterwards the audio will get uploaded to theTavern Chat Podcast. Our usual "go-to",WotCdoing something stupid, was fine when we were doingTalking Critonce or twice a month, but we...
One punch from the champ was enough to KO your character, so giving the Baddest Man on the Planet a taste of the mat took nothing short of perfection. It was grueling, infuriating, and a total blast. The game didn’t just challenge us; it built character. Here’s what we learned from...
I have a few parts laying around for building a noise machine, similar to Bradford Reed’s Pencilina, but kinda more like the modified guitars created by Masahiko Ohno (Solmania). I dunno. Maybe I should hold off on performing live again until all of this stuff is in order. ...
When I am jamming with other people, they motivate me and kinda help focus what I am doing. So, I am always bouncing ideas back-and-forth with them, trying to see where their talents and interests are. If half of the group is into a specific style of music, that gives me a vague...
instead of hopping all over the place like I usually do. Get one thing done. Then, move on to the next thing. This approach seems to be pushing the process along, I suppose. Creating the equivalent of two double albums every few months is kinda hard when doing it all alone and you ...
instead of hopping all over the place like I usually do. Get one thing done. Then, move on to the next thing. This approach seems to be pushing the process along, I suppose. Creating the equivalent of two double albums every few months is kinda hard when doing it all alone and you ...