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John Blease. “John instantly praised how accurately the DPA mics reflected his kit in his in-ear monitors,” continues Howat. “We received a similar reaction from the band when switching to DPAs for the guitar amplifiers, with each instrument’s unique character now ...
The vocalists were miked with 70 Sennheiser e 935 and various e 845 and e 835. The show’s presenters used EW-DX handheld transmitters with MM 435 microphone capsules. evolution e 609 and e 606 mics were located in front of the guitar amplifiers, while the woodwind and brass sections wer...
When it comes to recording voice, guitar, piano, and other acoustic instruments in the studio or at home, you will want good sound-capturing equipment. However, to record the best sound possible, you must have a comprehensive knowledge of microphones and their applications. A microphone is a ...
Close-miked guitar amplifiers are as loud, sometimes louder than drum kits. They require mics that can handle high SPL. Your best bet is a cardioid or hyper cardioid dynamic mic that is well positioned in front of the amp speaker. These dynamic mics are great for recording guitar amps. Ac...
The RE20 is usually thought of as a broadcast mic for radio. But it happens to sound great on guitar amplifiers. It rejects a lot of sound from the sides of the mic, making it very directional and great when there is a lot of room bleed. ...
Guitar Amplifiers The classic approach is to place the ribbon mic about 6-8 inches from the speaker cone, slightly off-center. Thissweet spotusually sits somewhere between the edge of the dust cap and the middle of the cone. For more bite, move closer to the center; for more warmth, mov...
The Shure SM57 is one of the most popular choices for electric guitar amplifiers: a legendary dynamic mic that you’ve likely heard on all your favorite recordings. However, if you’re worried about a dynamic microphone not picking up intricate lead frequencies, a large-diaphragm condenser microp...
Condenser mics are more sensitive, and thus better suited for capturing more detail and softer sounds, like an acoustic guitar recording in a studio. For podcasting, neither dynamic nor condenser microphones are necessarily better than the other.It really depends on the style of podcast you have....
LDCs tend to have lower self-noise than other types, making them a standout for intimate vocals. Dynamic mics, on the other hand, are often extremely rugged and exhibit high SPL handling, making them a first choice for drums and amplifiers. For more information, see"What Is the Difference...