"Eye and Mind" condenses what it seems would have been the continuation of The Visible and the Invisible according to MerleauPonty's last plan for his new ontology: I. Visible and Invisible; II. Nature; III. Logos . "Eye and Mind" corresponds to Part II: Nature, and lays down telling...
M Merleau-Ponty (1961) Eye and mind. Images: A Reader, books.google.com, cited by 1796 (29.44 per year) M Merleau-Ponty (2014) O olho eo espírito., Editora Cosac Naify, cited by 1795 (224.38 per year) M Merleau-Ponty (2003) Nature: Course notes from the Collège de France., ...
In this article I intend to take as my point of departure Merleau-Ponty's essay "Eye and Mind" from 1961. I shall also, at least partly, take into consideration his ideas or rather statements from some of his other more or less concurrent writings, with the help of which I hope to ...
To do this (i) it must pick out performances of the work; (ii) given a performance and the notational system, it must be uniquely determined. That ‘Eye and Mind’ doesn’t discuss sensible ideas is noteworthy, but I think explained by that essay’s focus and Merleau-Ponty’s own ...
This phenomenological unpacking follows Merleau-Ponty's thought from Phenomenology of Perception to "Cezanne's Doubt" and "Eye and Mind" through The Visible and the InvisibleChristinia Ryan Landry... CR Landry - 《Brock University》 被引量: 17发表: 2009年 The Art of Doubting: Merleau-Ponty an...
知觉现象学Langer, MerleauPonty’s Phenomenology of perception A guide and commentary_部分1.pdf,-- Merleau-Pontys Phenomenology of Perception A Guide and Commentary . Monika M . Lan ger Associa te Professor of Philo sophy University of Victo ria, Bri tis
Maurice Merleau-Ponty 英文 冰岛文 Maurice Merleau-Ponty +添加翻译 英文-冰岛文字典 HeiNER - the Heidelberg Named Entity Resource 显示算法生成的翻译 将“Maurice Merleau-Ponty"自动翻译成 冰岛文 Maurice Merleau-Ponty Glosbe Translate 错误 Google Translate...
Merleauponty, Maurice
In order to meet this overall goal, I will analyse in detail the three main stages of the creative process, taking MerleauPonty's reflections on the painter's experience provided in Eye and Mind as my starting point. In so doing, I intend first to show that, by following Merleau-Ponty'...
doi:10.1080/00071773.1994.11007048JohnsonGalen A.Journal of the British Society for PhenomenologyThe Colors of Fire: Depth and Desire in Merleau-Ponty's `Eye and Mind'," Journal of the British Society for Phenomenology, 25(1): 1994. pp. 53-62....