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THE CRAFT OF THE LATE MEDIEVAL AND EARLY MODERN TIMES IN THE ACADEMIC WRITINGS OF MARIA BOGUCKAdoi:10.12775/APH.2022.127.03Grulkowski, MarcinActa Poloniae Historica
2013. ‘Reframing the Monstrous Body: Visions of Unity and Desire in the Anglo-Saxon Wonders of the East.’ In East Meets West in the Middle Ages and Early Modern Times: Transcultural Experiences in the Premodern World, edited by Albrecht Classen, 243–62. Berlin and New York: De Gruyter...
The latter has been expanded and updated to reflect current academic opinion on Columba, his monasteries and his successors, as well as on the broader subject of early medieval Christianity in Ireland and Northern Britain. The book’s plate section of black-and-white photographs remains unchanged...
Early Middle Ages With the collapse of the Roman Empire during the 4th–5th centuries, Europe sank into a period in which little furniture, except the most basic, was used: chairs, stools, benches, and primitive chests were the most common items. Several centuries were to pass before the ...
Early-modern and modern views of papal authority Laetentur coeliwas the basis for the solemn definition that Vatican Ipromulgatedin 1870 as part of itsdogmaticconstitutionPastor aeternus. Having asserted as a matter offaiththe primacy of Peter and the succession of the popes in that primacy and ...
Studies also reveal a persistent Climatic Optimum through the early–mid Holocene with temperatures at least 2 °C warmer than present (in central Greenland), terminating in cooling between 4 and 2 ka BP (Cuffey et al., 1995; Dahl-Jensen et al., 1998). The Holocene temperature variations ...
She’s writing a book on ‘Diagrams and the Study of Ciceronian Rhetoric in the Middle Ages’. Jenny Weston, PhD student, is finishing her thesis on ‘Devotional Reading at the Abbey of Fécamp, c. 1000-1200’, and hopes to defend in early 2015. Julie Somers, PhD student, will ...
‘Smell in theYork Corpus ChristiPlays’, inThe Five Senses in Medieval and Early Modern England, ed. Annette Kern-Stähler, Beatrix Busse, and Wietse de Boer (Leiden: Brill, 2016), 239–268. Farah Karim-Cooper discusses sensory perception and spectatorship in relation to the Elizabethan play...
The decision to start the battle early, meant that they fought without their pavise’s wooden shields behind which they could shelter while reloading. Also, the rate of fire of a longbow was far in excess of a crossbow, with a longbow-man loosing thre or four arrows to each crosw-bow ...