BANKS: Growing up, I would look at commercials, and I would critique them. So, I remember the “Where’s the beef?” commercial, and I was, “They ended on the lady’s face, and they should have ended on the burger because I forgot what the burger looked like.” And my mom is ...
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2 "Changing Masters": Gender, Genre, and the Discourses of Slavery BELLA BRODZKI "He had never sold anyone before, and now he persuaded himself that what he was about to do was not selling in its actual sense."1 What is "selling in its actual sense"? A young African man about to ...
When, late in the film, Jiaxin speaks to Yinniang of her nagging impulse toward benevolence, of a mind held “hostage to human sentiments,” the critique is left expressly unacknowledged, suspended between recognition and response, consideration and concession. The silence is deafening. Jordan ...
and her particular blend of highly emotive and engaged social critique. The documentary represents an astonishing achievement not least as, at the time of Bird’s death three years ago, there was almost nothing about her work in the public domain, and what little there was incomplete and often...