After the hymn had been sung, the Rev. Mr. Sprague turned himself into a bulletin-board, and read off “notices” of meetings and societies and things till it seemed that the list would stretch out to the crack of doom—a queer custom which is still kept up in America, even in cities...
Across the sea of fear we fly through the darkWaiting for the sign from themaster of the nightEverywhere in the worldthere's fanatic people trying to subdueAll creative thoughts and allhuman rights you haveYou've been given a gift been given the right todecide on your ownGotta use that ...
until we all come into the unity of the faith and of the knowledge of the Son of God, into a complete man, to the measure of the stature of the fullness of Christ, so we may no
Gazing On the Face of the Sea 4:01 Festival 3:34 Audio Player 00:00 00:00 Use Up/Down Arrow keys to increase or decrease volume. The Way of My Fathers 5:11 A Pilgrim’s Hymn 4:10 St. Brendan – Recounting the Voyage 4:16 ...
a beautiful poem about Mary Magdalene, and Jesus descending into hell, among others. The poem about Mary Magdalene, entitled “Loves” is simple and strong, and a memory, declaration and hymn all at once. Cairns subtitles it “Magdalene’s Epistle,” and it is written as a kind of deep,...
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It was the Hymn of Revolution, and every line was a curse. From my place in the wings I was able to follow better, perhaps, than any one else in the room, the events of the next sixty seconds. I saw two policemen push their way along the stone passage, past the box office and ...
在Apple Music 上收听Léopold Stokowski & 休斯顿交响乐团的《Scriabin: The Poem of Ecstasy & Amirov: Azerbaijan Mugam (Transferred from the Original Everest Records Master Tapes)》。1959年。2 首歌曲。时长:32 分钟
Gazing on the Face of the Sea – capo 7th fret sub-bass, guitar, and super-trebles Festival – capo 7th fret sub-bass, guitar, and super-trebles The Way of My Fathers – capo 5th fret sub-bass, guitar, and super-trebles A Pilgrim’s Hymn – sub-bass, guitar, and super-trebles Ru...
Round explains her approach to re-working the song: “Maynard’s vocal for this song is synonymously a sorrowful hymn and a siren of celebration. I wanted the main vocal and the bass and drums to be anchors in a sea of jubilant chaos. A kind of controlled cacophony of celebratory jo...