During the 1960s and early 1970s, the youth gangs of Soweto, like their predecessors throughout the Witwatersrand in the 1940s and 1950s, developed a sense of masculine identity intimately linked to their territories. There was a great deal of cultural continuity between these exclusively male ...
Joan Gilbert, a well-regarded New Yorker and former "associate" of my father, grew up as the daughter of a doctor who catered to Broadway theaters in the 1940s and 1950s. Our family took a trip with Joan to Morocco, and had quite an adventure, but came to realize at some point on...
Richard Wright’s literary career begins with a lynching and ends with a serial murderer. “Big Boy Leaves Home,” the 1936 story that leads off Wright’s first book, Uncle Tom’s Children (1938), renders the vicious mob execution of a young...
Argument that the typically male recreations were an integral part of the bluegrass culture that surrounded Bill Monroe's band in the 1940s and 1950s; Influence of the recreations on the way musicians conceptualized their music and the presentation of their public images; Monroe's love for cock...
In the Iraqi literary production of the 1940s and 1950s, the figure of the woman prostitute appeared repeatedly, signaling a crisis in the ways Iraqi men i... Haytham,Bahoora - 《Journal of Middle East Womens Studies》 被引量: 1发表: 2015年 Hiking and Hegemony: Destabilizing the nature/...
Neither heroic survivor, as in the West German "Papa's Kino" of the 1950s (cf. Moeller 123–71), nor pioneer of a new antifascist Germany, as imagined by the SED, the figure of the returnee in early DEFA film turned into a site of social, psychological, and representational ...
Breckenridge, Keith.1998. "The allure of violence: men, race and masculinity on the South African Goldmines, 1900-1950." Journal of Southern African Studies, 24 (4) (Special Issue on Masculinities in Southern Africa): 669-693.Breckenridge K. The allure of violence: men, race and ...
In the 1920s and 1930s, ads emphasized that both men and women could milk by machine. By the 1940s and 1950s, the ads depicted milking in an ungendered way, as a depersonalized technical process that was neither manly nor womanly.Morell, Mats...
Argument that the typically male recreations were an integral part of the bluegrass culture that surrounded Bill Monroe's band in the 1940s and 1950s; Influence of the recreations on the way musicians conceptualized their music and the presentation of their public images; Monroe's love for cock...
By post-colonial Korea in the late 1940s, another version of changgeuk was created by women with only female singers. This all-female theatrical cast genre is known as yeoseong gukgeuk. The legacy of gisaeng, already dismantled in the 1930s, was re-interpreted ...