On Yang's kites, people can see not only common pictures like butterflies and birds, but also some prints telling Chinese myths, legends and history. For example, she once made a kite with a phoenix(凤凰). On each side of the phoenix were 50 images(形象) of famous women from Chinese ...
This book explores key themes in the making of Renaissance painting, sculpture, architecture, and prints: the use of specific techniques and materials, theory and practice, change and continuity in artistic procedures, conventions and values. It also reconsiders the importance of mathematical perspectiv...
been applied to the inner and outer surfaces of the plastic panels, resulting in a kind of painterly diorama or stage set that deploys multiple scrims. The effect is to deconstruct the traditional layering of a painting into discrete planes, that coalesce into a comprehensible, if unstable ...
for over four decades. The exhibition’s selection of prints, from 1998 until now, was chosen by Kentridge and includes themes and media that feel particularly enduring and relevant to the artist. In this exhibition, several subjects emerge: sketches that explore a universal archive of ideas; ...
9.The artistic design and manufacture of prints, such as woodcuts or silk-screens.版画制作版画,如木刻或纸网印刷的艺术设计与制作 10.A work produced by this art.图画这种艺术创作出的作品 11.On Tibetan Tangka Painting as a Kind of Conceptual Art;论作为观念艺术的唐卡绘画创作特性 12.Try to dis...
So instead of this lesson being a one-session lesson, it would require two. Let me know how it goes. Reply caromann@tbaytel.net September 13, 2015 at 6:42 am This project is wonderful! I have adapted it to suit my grade 6 class. Instead of the sponge painting, I ask the ...
My calligraphic brush painting portrait of Professor Stephen Lee for the cover of his biography. My illustration on the cover of the book. NOTE: Work in progress: more entries to be added. FILM I have made a few independent art films, too…this is one of them, BLACKING OUT A BLONDE…ma...
On the occasion of Willem de Kooning: Endless Painting, curated by Cecilia Alemani and comprising paintings from 1944 through 1986 and two sculptures, the Quarterly revisits a conversation between Albert Oehlen and John Corbett from 2013. The pair reflect on de Kooning’s late work and i...
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Our plan air group has moved inside to sketch figures and work on skills other than painting. It’s quite rewarding to focus on shadow and light in the designated room with a controlled( semi controlled) A different set of skills. Sometimes it seems like a tree is not much different from...