Guided by the shared vocals of Marty Balin and Grace Slick, and powered by the scalding guitar of Jorma Kaukonen, they cranked out seven studio records, a string of hit songs and signature appearances at festivals including Monterey, Woodstock and Altamont in the tight span between 1965-72. Af...
“Tube Snake Boogie” and “Pearl Necklace” stand, even today, as the pinnacle of ZZ Top's perv-boogie songs -- no small feat. Dig deeper, however, and you find the first appearance of synths, completing the final piece of what would become a mega-selling formula. Then there's the ...
Smith’s legacy with Loverboy remains in the songs they created together. He joined the band in 1980 and noted in the liner notes for 1994’sLoverboy Classics - Their Greatest Hitsthat the die for their future success had already been cast prior to his arrival. “There was really little fo...
“Tube Snake Boogie” and “Pearl Necklace” stand, even today, as the pinnacle of ZZ Top's perv-boogie songs -- no small feat. Dig deeper, however, and you find the first appearance of synths, completing the final piece of what would become a mega-selling formula. Then there's the ...
“Tube Snake Boogie” and “Pearl Necklace” stand, even today, as the pinnacle of ZZ Top's perv-boogie songs -- no small feat. Dig deeper, however, and you find the first appearance of synths, completing the final piece of what would become a mega-selling formula. Then there's the ...
Smith’s legacy with Loverboy remains in the songs they created together. He joined the band in 1980 and noted in the liner notes for 1994’sLoverboy Classics - Their Greatest Hitsthat the die for their future success had already been cast prior to his arrival. “There was really little fo...
“Tube Snake Boogie” and “Pearl Necklace” stand, even today, as the pinnacle of ZZ Top's perv-boogie songs -- no small feat. Dig deeper, however, and you find the first appearance of synths, completing the final piece of what would become a mega-selling formula. Then there's the ...
producing an overall more pop sound thanEliminator, with all the bells, beeps, and whistles that encapsulated pop hits in 1985. And yet, the album is so much more complex, with songs like “Delirious” utilizing so many studio sonic tricks in the groove that it’s something of an art unt...
producing an overall more pop sound thanEliminator, with all the bells, beeps, and whistles that encapsulated pop hits in 1985. And yet, the album is so much more complex, with songs like “Delirious” utilizing so many studio sonic tricks in the groove that it’s something of an art unt...
producing an overall more pop sound thanEliminator, with all the bells, beeps, and whistles that encapsulated pop hits in 1985. And yet, the album is so much more complex, with songs like “Delirious” utilizing so many studio sonic tricks in the groove that it’s something of an art unt...