22 Now it's gone (09/79) Chords * 23 Smash It Up Damned * 24 Bird song (09/79) Lene Lovich * 25 Etceteraville Random Hold 26 Freedom's prisoner (09/79) Steve Harley * 27 Tusk (09/79) Fleetwood Mac * 28 Romeo's tune Steve Forbet 29 Bright side of the road (09/79) ...
The Flaming Lips Yoshimi Battles The Pink Robots 12 Up All Night Take That The Circus 12 Smile Uncle Kracker Smile 12 Kung Fu Fighting Carol Douglas Essential 80's Queens of the Disco 12 True Love - Explicit Version P!nk Lily Rose Cooper The Truth About Love 12 Heart To Heart James Blun...
in the daytime dim and trust that I will act in my own best interest, and let me be. “I’m cold. Should we turn on the fireplace?” Dad ventured from his chair. Brother-in-law Mike had come to repair the wound to the bathroom tile resulting from installing a wider door, prompting...
But this was hardly a typical recording session, as John himself explained back in 1967: “We just put a track down, because I knew the chords. I played aharpsichordand George played a violin, because we felt like doing it like that and Paul played a double bass. They can't play them...
I remember all of the moments that I so badly wanted to lose myself into the first thrumming chords of a new love, only to find myself texting. In those moments I felt I had no choice but to turn my back to my new lover in order to respond to her every ping. Each time, I ign...
but does further define the unique sound of a band, a bit like the instantly recognisable chords of Depeche Mode or the dissected beats of Cornelius (even though the album sounds like neither, if you see what I mean). And, like a vast swathe of this year’s selection, it could well ...
You know how fun it is just thinking of a song and you just happened to know the lyrics and the guitarist just happened to know the chords, and almost straight away you make something that almost sounds like real music? Well, the 95th time you play that song that initial magic is long...
But one day while driving, he had an epiphany when Ace’s “How Long” came on the radio. “I got in the studio and I said, ‘Don’t talk, everybody!’ and I played the chords,” he says. He fleshed out the arrangement with Payne, adding a sax line and a disco bass run that...